Galerie Shibumi is pleased to announce the gallery's representation of painter and filmmaker Ari Kim.
Invisible threads of fate weave through all living beings, connecting them in ways both seen and unseen, across lifetimes and moments. Ari Kim's work explores this intricate web of connections known as "In-Yeon (인연)," a concept deeply rooted in the idea of fate or providence. In-Yeon speaks to the invisible lines and knots that bind all living creatures, transcending time and space. These connections are not limited to lovers or family; they extend to friends, strangers, and even fleeting encounters on a subway.
Ari’s current series, “Mae-Deup (매듭),” delves into the profound connection between two figures who could be a young mother and daughter or perhaps a larger self and its younger counterpart. "Mae-Deup (매듭)," which translates to "knot" in English, refers to the traditional Korean art of decorative knotting, symbolizing the bonds or connections that tie us together. In these works, the figures’ braided hair, reminiscent of an umbilical cord, emphasizes this connection. Historically in Korea, hair was considered a sacred gift from ancestors, to be cherished and protected—adding layers of meaning to the imagery of hair as a navel string.
The figures in Ari’s paintings engage in acts of service, quietly expressing love through small, tender gestures. Whether it’s napping on a loved one’s knees, creating a shadow to shield them from the sun, or gently plucking white hairs with care, these moments replace direct words of affection. Through her art, Ari seeks to unveil forgotten memories, subtly capturing moments that once existed. She refers to these moments as "creases"—the gentle folds of time that bear witness to past gestures.
When light touches these creases, it casts a shadow, revealing the trace of what once was. This shadow, this delicate interplay of light and memory, forms the essence of Ari’s work. Each piece explores the enduring and often unseen connections that shape our lives, a visual narrative of the bonds that weave us together across lifetimes.
welcome to mae-deup
Immerse yourself in the world of Mae-Deup and the talented artists that made this multi-sensory exhibition possible
Artist Talk With Ari Kim & Professor Frederick Carriere
Together, the two discuss Kim’s exhibition Mae-Deup, Carriere offers a unique perspective on Kim’s latest body of work, enriching the conversation with his background living and gaining professional experience in Korea.
Carriere’s professional experience includes a 30-year career as an administrator in the nonprofit sector, initially as the executive director of the Fulbright Program in Seoul, Korea, and later as the executive vice president of The Korea Society in New York City.
While residing in South Korea from 1969 until 1993, apart from the Fulbright Program, Carriere also supervised the grant program activities of the East West Center and the Humphrey Fellowship Program as well as all the testing activities of the Educational Testing Service. Other positions included editorial consultant and translator (Korean to English) for the Korean National Commission for UNESCO, adjunct instructor in anthropology and Asian studies in the Far Eastern Division of the University of Maryland, and counselor and president of the Korea Branch of the Royal Asiatic Society (RAS).
Carriere has been involved in developing and administering Track II as well as educational and cultural exchange programs with North Korea since the mid-1990s.In this capacity, he has been a consulting professor in the Center of International Security and Cooperation at Stanford University, a consultant on North Korea to several other academic institutions, the Turner Foundation, several media corporations and many nonprofit organizations. He is a member of the National Committee on North Korea.
back when the tiger smoked
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Ari Kim
2025
Oil and ink on wood
72 x 48in
182.88 x 121.92cm
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Tooth for the magpie
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Ari Kim
2025
Oil and ink on wood
48 x 60in
121.92 x 182.88cm
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White Butterfly’s silent visit
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Ari Kim
2025
Oil and ink on wood
48 x 60in
121.92 x 182.88cm
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The Biggest Hand And The Smallest Tiger
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Ari Kim
2025
Oil and ink on wood
60 x 48in
152.4 x 121.92cm
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dusting snowflakes
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Ari Kim
2025
Oil and ink on wood
36 x 48in
91.4 x 121.92cm
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mae-deup
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Ari Kim
2025
Color pencil on wood
24 x 24in
60.96 x 60.96cm
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azalea’s lullabye
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Ari Kim
2024
Oil and ink on wood
30 x 40in (each)
76.2 x 101.6cm (each)